Thursday 8 December 2016

16.1.2

                                                         Editing unit 16 task 1 (16.1.2)


In this essay I shall attempt to analyse the various techniques of film editing. To do this I shall firstly cover the pioneers of editing, before analysing contemporary editors and some of their own techniques. hopefully I can pick up on improving my knowledge of editing techniques.

Editing has evolved in many ways throughout the years to become what it is now. Without some of these various film pioneers editing as we know it and would change the way we see movies in a whole different way.


Edwin Stanton Porter was a producer, director, studio manager and cinematographer. He was one of the earliest film pioneers. He contributed in editing and film making in many ways and he is most famous for introducing the idea of parallel editing; although prior to this technique he
 came up with something called temporal overlap which is when the same action is shown in different perspectives or angles. This technique of editing was first used in the film ''The Life of an American Fireman (1903).''  There was a shot of the men disappearing down the pole , and then it suddenly cuts to the bottom of the pole; this allows the viewers to visualise what is happening in that location, before the firemen came down. This editing technique soon died down although it was appreciated at the time as it was a very new and creative technique; it looked too clumsy and messed with the sense of time in the film. This editing technique was used in the 1991 film The silence of the lambs directed by Jonathan Demme and many other films. This influenced film making as it adds depth and structure to films parallel editing is still used too this present day which shows how much of an impact it had in the industry of film making; an example of this technique being used in a modern film would be American Sniper when the soldiers are walking down the street while the sniper takes cope at a target.

D.W Griffiths was a producer, director and writer from America who pioneered in modern film making techniques and is considered ''father of film'' he contributed in many ways and created a lot of techniques. D.W's most famous piece of work was in a silent film called the birth of a nation. He used various editing techniques in his production such as classical cutting; which is a style where that part of the movie is characterised by the sequence of shots that is determined by the feeling of the scene eg, dramatic or emotional emphasis. A good example of this in use was in the scene of the good, the bad the ugly when the 3 main characters are about to shoot each other and the camera cuts between all 3 of them. Another editing technique that Griffiths constructed was tonal editing; this type of editing is conveyed through the emotional tone of the scene and that takes effect in the editing. For example to convey the scene with a happy tone it will have a lot of quick cuts however in sad scenes it will have longer shots that use cuts in a slower rhythm.

Walter Murch was an american film editor and sound designer and is most famous for designing the Six Rules of editing.
The Rule of 6 is a list of rules that you have to consider when editing any film; the first rule is emotion (what the affect it will do to the audience at this particular point in the film. Telling emotion in the story is very important as you want to grip the audience in the editing.
Another rule is story (does the editing move the story in any meaningful way?) each cut must advance the story. rule 3 is rhythm (The cut has to be on the the point that makes rhythmic sense) timing is essential. Rule 4 is Eye tracing (eye tracing is what the audience would focus on and the cut has to be right so the audience doesn't get distracted.) Rule 5 is Two dimensional place of screen (making sure the cut follows the axis.) and lastly rule 6 is Three dimensional space (the cut has to be true to physical and spacial relationships.)

One of the movies Walter is most known for is the Godfather II a used editing techniques such as parallel editing (cross cutting) and also the rule of 6 which impacted the way the movie turned out.
The majority of editors have used Walter Murch's technique in their films as it helps structure the film  and has impacted the way films are made in a big way as there is now guidelines to think about.

https://www.youtube.com/watch?v=5Weaop_aiTg

The scene of Godfather II where fredo and Michael have fallen out is a great example of continuity editing. Te scene uses 180 axis rule, eye tracing which makes the audience focus on the characters more and the camera angle looks down on Fredo to emphasis his position between the two. the editing isn't noticeable as you focus on the story more. Walter emphasises and highterns  emotion by using different cuts in the right moments. Walter also shows the distance between the two as they have fallen out as uses cuts that have only one character in the frame to show it. Also the use is rhythm in this scene effects the mood overall as the cuts are the right pace not too fast and not too slow.

another example would be the ending scene in godfather III

Through writing this essay i have acknowledged different pioneers of editing that have impacted the ways films are made and structured. The pioneers such as Edwin stanton porter and D.W Griffiths that made the building blocks for editing techniques and inspired a lot of editors in this present day as parallel editing and classical cutting plays a big part in editing as it is used a lot in films.
furthermore i learnt acknowledged what the rule of 6 was and analysed the movie Walter Murch editing which was Godfather II and picked out the techniques.







 






Thursday 1 December 2016


How to set up premiere pro:




-how to use the green screen and cloning (chroma key):

allows to take out a certain colour to add a background behind the footage.


-Apply the ultra key effect found in the effects panel on to the clip that has the green screen and select the colour you want to take out.
- Import a picture or video you want in the background and put it underneath the green screen video layer.
- use transform to upscale or downscale the picture so it fits the composition
-To clone the green screen; just duplicate the clip and position it with transform so it's in the correct place.

-isolating colour (leave colour effect)

makes a certain colour obvious another colours black and white.



-search isolate colour in the effects and presets panel and drag it onto the video clip; then use the colour pen and choose what colour you would like to isolate.
-turn the decolour up to 100% to make everything but the colour you isolated black and white.

-super 8

gives an old fashion and aesthetic look to the footage.


-Select your clip of choice and drag it into the timeline
-Then change the speed duration of the clip to make it quicker e.g. 80%
-Go to the effects panel and search for noise and dust & scratches then drag it onto the video clip on the timeline and turn the noise up to what you think is suitable.
-Then go to the colour panel and give the clip a orange tint; this adds bit of age to the clip.
-also add gaussian blur to downgrade the quality slightly.


time remapping:

Time remapping changes the velocity of the clip.





-Select your clip that you want to be time-remapped and drag it onto the timeline.
-Right click the video on the timeline then select who clip keyframe > time-remapping.
-Then make the video layer bigger on the time line too see the velocity line for the time remapping.
-select the pen tool situated in the tool tab situated on the left of the timeline and use the pen tool too select where you want the time remapping to happen.
-dragging the line up determines how fast the clip will speed up and dragging down will determine how slow it would be.

Masking:

Masking is used to take a section of the footage or picture out or you can invert the mask to only have the area you selected.


-drag your selected footage into the timeline with what you want masked to be on the top layer.
-turn the opacity down on the top clip so that the picture behind visible; then scale it too fit the footage appropriately.
-Then make a new title by clicking title on the top bar > new title which then opens a new window that allows you too mask.
- mask by clicking either on the pen tool or one of the shapes then mask what is suitable for your work.
-once the masking is finished, apply a track matte key and change the matte to your mask layer.
-drag your mask title track above the footage and the mask should be there.